sevenam
INSTAGRAM ADS

Instagram Ads Agency

Instagram is a placement, not a channel you buy separately.

Sevenam installs a Meta advertising system on your own ad account and runs the technology that operates it — written decisions at 7am every morning telling you exactly what to do that day. One fixed setup fee, a fixed monthly, priced to the work rather than your media budget.

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No retainer·No lock-in·No fee that climbs with your budget

One auction, several surfaces.

Instagram feed, Stories and Reels are placements inside the same Meta auction that serves Facebook. Buying them through a separate specialist means running a second account structure competing for the same impressions, usually against yourself, and splitting the conversion data that the system needs to learn from.

What is genuinely different about Instagram is the creative. Reels and Stories are vertical, sound-on, fast-cut formats that fail badly when fed a resized square image — and that is a production problem, not an agency-selection problem.

Instagram placements are bought in the same auction as Facebook.
Splitting them across providers splits the learning data too.
The real difference is creative format, not media buying.
Vertical, sound-on creative cannot be repurposed from static.

What actually needs solving.

If Instagram is underperforming for you, the cause is almost always that it is being fed creative made for a different surface, at a volume too low to find what works in a format that fatigues quickly.

The system handles the decisions; creative on demand handles the supply, in the formats each placement actually rewards.

Vertical video and Stories-native creative produced as a matter of course.
Placement performance read daily rather than at month end.
One account structure, so the platform learns from all of it.
Creative replaced before frequency drives the cost up.

What you own at the end of it.

Everything is built inside your own Business Manager from the first hour — the ad account, the pixel, the audiences, the creative files and the reporting. There is no agency-owned account that you rent access to, and nothing to negotiate over if the relationship ends.

That single structural choice is what makes the rest of it possible. An arrangement where the provider owns the asset has to be renewed; one where you own it has to be earned.

Your ad account, your pixel, your creative library. Always.
A fixed setup fee and a fixed monthly, priced to the work rather than your budget.
Month to month, with no notice period.
Every decision written down, with the numbers behind it.

Questions people actually ask.

Should we hire an Instagram specialist?

For creative production, sometimes — the formats genuinely are a craft. For media buying, no: you would be running a second structure inside the same auction, which usually costs you more than it earns.

Can we advertise on Instagram only?

You can restrict placements, and it is usually a mistake. Letting the system serve where it converts and controlling the creative per placement almost always beats forcing the budget onto one surface.

Do you make Reels and Stories creative?

Yes, as part of the standard creative work rather than an add-on. Static repurposed into a vertical frame is the most common reason an account's Instagram numbers look bad.

What about organic Instagram?

We do not run organic social. It matters for brand and it is a different discipline, and we would rather say so than sell you something we are not built to do well.

Is influencer content worth running as ads?

Often, yes — creator-style footage tends to outperform polished brand film in feed. The mechanics of permissions and partnership tags need to be set up properly, which the setup covers.

Keep reading
Meta ads agencyOne auction, one system. Creative testingVolume is the constraint. What are Meta ads?Placements explained.
07:00

Find out what your account is leaving on the table.

Fifteen minutes with Josh, no pitch deck. You will leave knowing whether your Instagram numbers are a buying problem or a creative one.

Get started Five questions, two minutes →