sevenam
AD CREATIVE

Ad creative, without waiting on a shoot.

Order what the account needs. It comes back in days, priced per concept.

Sevenam installs a Meta advertising system on your own ad account and runs the technology that operates it — written decisions at 7am every morning telling you exactly what to do that day. One fixed setup fee, a fixed monthly, priced to the work.

Get started See how it works

Four fields, and no call booked yet. We read what you send and tell you whether you qualify for a free marketing technology, systems and performance audit — offered at our discretion and in limited numbers.

No retainer·No lock-in·Priced to the work
Recent output from the line
Coffee concept produced on the line Eyewear concept produced on the line Supplement concept produced on the line Consumer electronics concept produced on the line

Statics from four categories, each produced end to end without a shoot. Motion and cuts are made the same way; these are the frames that reproduce well on a page.

Creative volume is the constraint now.

Targeting, bidding and placement are the platform's models. What is left for a human to influence is how much distinct creative goes into the auction and how quickly the losers are replaced — and almost every account we read is short of it.

The reason is production, not intent. A shoot takes weeks to organise and prices volume by the hour, so most brands ship three or four concepts a quarter and watch frequency climb while they wait for the next batch.

Targeting and bidding are automated; creative volume is not.
Fatigue arrives faster than a shoot can be organised.
Three concepts a quarter is not enough for the models to learn from.

What the line actually is.

Concepts, hooks, cuts and statics produced end to end on our own line. Each one is briefed against what the account's numbers already say is working, and ships with its own numbers attached so the next brief is better than the last.

Briefed against the account's own data, not a mood board.
Concepts, hooks, cuts and statics, each with its numbers attached.
Ordered when you need it, no minimum, five working days.
Brief to live

Same brief, two production routes.

Booked shoot
Six weeks, typically
Book and schedule
Shoot
Edit
Traffic and ship
The line
Five working days
Brief, produce, direct, ship.

Both tracks are on the same scale. Nothing on the lower one waits on a booking, a location or an editor.

How an order runs

What actually happens when you order.

01

You say what it is for

A product, an angle, or just the gap the account has. No brief template to fill in.

02

We read the account first

What is already winning, what has fatigued, and which hooks the numbers say to build on.

03

The line produces it

Stills, motion, cuts and variations, art-directed the same way any other creative would be.

04

It lands in your library

Delivered into your own Business Manager with the numbers attached, yours whether or not you order again.

Questions people actually ask.

What can AI creative not do?

It cannot replace a founder talking to camera, a real customer testimonial, or a demonstration that needs hands on the product. Those still need a person and a camera, and we will say so rather than approximate one badly. What it is good at is volume: the variations, hooks, cuts and motion that would otherwise never get made.

Will it look like AI?

That is the failure mode worth worrying about, and it comes down to how much direction goes in. Left to itself, generated output looks generic within three frames. Ours is briefed, art-directed and rejected like any other creative, and anything that reads as synthetic does not ship.

How much does it cost?

Priced per concept and quoted in writing once we know what the account needs, with hooks, cuts and statics included. No minimum and no subscription: order one concept or twenty, whenever the account needs them.

Can we buy creative without the rest of it?

Yes, and some do. If the account is structurally sound and the real problem is that you cannot ship enough new ads, creative alone is often the right buy.

Who owns the files?

You do, from delivery. The files sit in your own creative library and stay there whether or not you buy anything again.

Keep reading
Nano Banana 2 for ad creativeWhere it helps, and where it fails. Seedance 2.5 for ad creativeWhat the new model changed. Higgsfield AI for ad creativeDirected motion, not prompt-and-hope.
What the line runs on
Higgsfield

Directed motion and camera control.

Nano Banana 2

Stills, edits and product-accurate variations.

Seedance 2.5

Short-form video and cuts.

Claude

Briefs, hooks and the copy on the frame.

The models change every few months and the line changes with them. What does not is that a person briefs it, directs it and rejects it before anything reaches your account.

07:00

Order what the account needs.

Tell us four things about the account and Josh comes back with what it would cost and whether creative alone is the right buy.

Get started Four fields, twenty seconds →

Four fields, and no call booked yet. We read what you send and tell you whether you qualify for a free marketing technology, systems and performance audit — offered at our discretion and in limited numbers.